Even with songs
that I’m a big fan of and listened to possibly thousands of times over the
years, I can still discover out of the blue one day that I never heard specific
lines of lyrics correctly. Take, for example, “You Shook Me All Night Long,”
AC/DC’s biggest hit, and a track that is propelled at an even faster rate than
most of their stuff.
The second
verse starts “Working double time/On the seduction line.” At different points,
I probably heard this in any number of ways, such as “Working double time/On
the production line,” “Working double time/In the seduction room” or “Rocking
double time/On the production line,” to name a few. [Also I’m sure I heard “Wanted
no applause/Just another course” as “Wanted more applause/Just because” – right
up until I actually read the lyrics to write this.]
I’m pretty
exact in my listening to music and podcasts, I like to think, and I still
mishear things like this example. So it caught my attention months ago when I
heard that some avid podcast listeners will listen to shows at double speed to
consume them more quickly. Doing this, I thought at the time, would make the
familiar voices of favorite hosts sound too fast and distorted, so I never
really tried it. Even some listeners who do this wouldn’t speed up shows that
had more audio production value to tell fictional stories or to operate as
audio documentaries, because the mood created by the audio is an important part
of experiencing those shows.
Although
podcast interview shows don’t have the extra dimension of dynamic music that
can mask or confuse what the words are, I would wonder what I was losing or
mishearing by listening to speech twice as quickly.
There are
now apps to solve this problem, notably Overcast for Apple devices, that remove
pauses from conversations without increasing the speed, to enable quicker
consumption of a podcast without distorting the voices. Unfortunately, I can’t
say I’ve been able to research these apps, but when I do, I’ll revisit this
topic and give an opinion on whether they’re worthwhile.
Podcasts
of the moment:
The Last Adopter, episode 1 “The
Computer in the Driveway,” Sept. 22, 2017: This short mini-series (three episodes) is sponsored
by CA Technologies, and features Lewis Black, taking a technophobe’s point of
view, as counterpoint for speakers talking about technological innovations.
The Hidden Brain “You 2.0: Embrace
The Chaos,” August 7, 2017:
I’ve cited this show and its “You 2.0” series, once before (and probably will
one more time, as I work through it). This episode’s guest, economist Tim
Harford, relates how less than ideal conditions or live feedback from an
audience, raised performances to a higher level – for jazz pianist Keith
Jarrett, dealing with a broken piano that couldn’t be replaced in time for a
show, and also for Martin Luther King Jr., in his “I Have A Dream” speech, some
of which was improvised on the spot.
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